失踪谜案
塔布,安努·卡波尔,马诺杰·巴杰帕伊
塔布,安努·卡波尔,马诺杰·巴杰帕伊
刘亚仁,崔智友,李絮,姜河那,金柱赫,李美妍,李姃垠
萨瓦特·博拉娜波拉特,素帕娜·吉塔勒拉,雷·麦克唐纳,辛扎伊·本班尼,Apapattra Meesang
迪娜·迈耶,乔治·纽伯恩,奇希·劳尔兹,Dan DeLuca,弗兰克·威利
汤姆·希林,杰拉·哈斯,比吉特·米尼希迈尔,阿克塞尔·施泰因,基达·拉马丹,简·亨瑞克·斯塔伯格,安德亚斯·杜伯斯,Angelo Borer,Luisa Wöllisch,Christian Ammermüller,Jonas Baum,Julia Eiber,Thomas Gräßle,Stephan Buschmann
罗恩·霍华德
姜文
彼得·格林纳威
林赛·安德森
路学长
谢晋
王一持
于本正
黄浦江畔,杀机四伏,规则是否能由“她”重写?刀光里是黑帮的血腥,阴影下是性别枷锁的崩裂——多年银幕未见之大女主暴力爽片。 卧龙帮少主武青青,家族遭戮,自身遭叛,从猎物化身猎手;她隐于暗处,每一张笑脸背后,都可能藏着致命的匕首,日本商会登堂入室,内鬼隐匿于至亲之间,无间道中再掀无间,信任是奢侈品,每一步都是悬崖!她将如何撕下那一张张虚伪面具?奸,是叛帮之徒,是入侵之敌,还是枕边之人? 风暴已至,“除奸”成为唯一信条……
青春少女玛丽(Cécile De France 饰)和爱莉西娅(Maïwenn Le Besco 饰)是同在法国巴黎一所大学就读的好朋友。某个周末,两人驱车前往爱莉西娅家位于乡下的农场度假。适值深夜,万籁俱寂,玛丽寂寞难耐正在自我宣泄之时,一个不速之客突然闯入。他残忍杀害了爱莉西娅的父母和年幼的弟弟,并将其掳去。为了营救好友,玛丽悄悄钻进凶手的卡车。途经一个加油站,她换上同样惨遭杀害的店员的车继续跟踪,却被狡猾的凶手发现行迹。一场近乎迷幻的猫鼠杀戮游戏旋即进入高潮…… 本片荣获2003年Sitges – Catalonian国际电影节最佳女主角(Cécile De France)、最佳导演、最佳化装和欧洲奇幻电影大奖银奖。
正值青春期的少女艾玛(苏菲·瓦瓦希尔 Sophie Vavasseur 饰)因小事与父母发生争吵,继而用玻璃碎片割破自己的手掌。在此之后,父母子女的关系虽有所松动,但是新的危机已悄悄展开。艾玛是不是会做出些奇怪的举止,这令父母异常担心,于是只得将艾玛留在家中接受教育。期间他们尝试带女儿去看具有催眠本领的心理医生,谁知医生最终猝死艾玛的膝上。艾玛自感自己已被魔鬼附体,因此不顾崇尚科学的父母的反对,执意求助于因驱魔失败而被革除神职的舅舅基斯(道·布莱德利 Doug Bradley 饰)。 基斯似乎渐渐证实了艾玛的猜测,而她体内那股邪恶的力量也变得越来越强大……
美联社、《生活》杂志等著名媒体都曾报道过1964年的“月光凶杀案”,当时小镇坠入一片恐慌,一到黄昏就全镇戒严,全副武装的警察上街巡逻。直到三个月再无袭击发生,警察才逐渐撤出。1976年,曾有一部根据该案件改编的同名影片上映。两名幸存者描述凶手有六英尺高,头戴面具,只露出眼睛和嘴巴。 2014年版《杀出魔鬼镇》中,连环凶杀再度开始,面具杀手时隔六十多年重现特克萨卡纳,究竟是有人故意模仿,还是有更恐怖的事情暗中酝酿?一个孤独的高中女生,似乎知晓解开这一切的秘密。
当一位孤独的真正犯罪迷遇到她最喜欢的播客主持人时,浪漫擦出了火花,但事情很快变得奇怪,因为他对她的迷恋变成了痴迷,而他最新的剧集似乎围绕着她最终的谋杀展开。
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
Jamez Bond is the lead character in Spoof, a frustrated one, since he's not able to figure out a way to complete his famous sentence: "My name is...", before getting shot. Yep, this is the news: finally, after 50 years, the gun in the gun-barrel sequence shoots our hero and several other challenges will arise, till the sky-fall... Leatherfaze from the Texas Chainzaw Mazzacre and the Alfraid Hitchcock silhouette, from the TV show will face no lesser complications in trying to turn a chainsaw on and in overcoming common fears, because the Master of Suspence will appear to be surprisingly more fearful than the victims in his movies... But he's in good company, since an animated Inspector Clouzeau, from The Pink Panfher's saga title sequence, won't prove to be brave enough in fighting a pink panther that's much wilder than we used to know... Rochy Balboa will show the other characters what it takes to fight your inner enemies, in "Rochy vs Ranbo", but won't be prepared for an unexpected ...
古天乐,梁咏琪,王丹妮,周秀娜,胡子彤,张文杰,陈湛文,杨诗敏,王尹菁,伍允龙,乔靖夫,王颂茵,陈献略,陈惠敏,陈桢怡,吴梓熙,郑丹瑞
杰西·艾森伯格,艾拉·菲舍尔,伍迪·哈里森,戴夫·弗兰科,马克·鲁法洛,梅拉尼·罗兰,摩根·弗里曼,迈克尔·凯恩,迈克尔·凯利
彭禺厶,由力,李文波,李建新,马书良,高雪儿,石小满
丹尼尔·克雷格,爱德华·诺顿,加奈儿·梦奈,凯瑟琳·哈恩,小莱斯利·奥多姆,凯特·哈德森,戴夫·巴蒂斯塔,杰西卡·亨维克,玛德琳·克莱因,诺阿·西甘,杰姬·霍夫曼,达拉斯·罗伯特斯,伊桑·霍克,休·格兰特,史蒂芬·桑德海姆,安吉拉·兰斯伯瑞,娜塔莎·雷昂,卡里姆·阿卜杜尔-贾巴尔,塞蕾娜·威廉姆斯,马友友,约瑟夫·高登-莱维特,丹·查里顿,艾迪·戈罗杰茨基,亚当·达文波特,詹姆斯·佩顿,杰克·塔珀
马蒂·佩龙帕,吉姆·贾木许,卡里·瓦纳宁,Sakke Järvenpää,萨卡里·库斯曼嫩,西卢·塞佩莱,马托·瓦尔托宁,奥利·图奥米宁,理查德·伯斯